{"id":324,"date":"2026-11-03T00:45:55","date_gmt":"2026-11-03T00:45:55","guid":{"rendered":"https:\/\/totonacapan.com\/?page_id=324"},"modified":"2026-11-03T14:19:30","modified_gmt":"2026-11-03T14:19:30","slug":"design-concept-boards","status":"publish","type":"page","link":"https:\/\/totonacapan.com\/designs-and-proposals\/design-concept-boards\/","title":{"rendered":"Concept boards and symbols"},"content":{"rendered":"\n
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VISUAL IDENTITY \u00b7 B02 SERIES<\/p>

Living weave \u00b7 Two variations<\/h2>

A smaller flower gives the name Instituto Totonacapan greater prominence. The insect remains at the centre of the encounter, between the woven vanilla vine and the stepped niches. The relief figure draws on Teodoro Cano Garc\u00eda\u2019s sculptural language.<\/p>

View the original B02 \u2193<\/a><\/p>

\"Centred<\/a>

B02 \u00b7 01<\/p>

Centred wordmark<\/h3>

The name anchors the plate. The flower and the dancer in profile sit above it within the weave.<\/p><\/div><\/article>

\"Horizontal<\/a>

B02 \u00b7 02<\/p>

Horizontal composition<\/h3>

The dancer and flower frame the name from the left, with the frieze running underneath.<\/p><\/div><\/article><\/div>\n<\/section>\n\n\n\n

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VISUAL IDENTITY \u00b7 ENCOUNTER SERIES<\/p>

Encounter \u00b7 The Institute\u2019s seal<\/h2>

The meeting of the vanilla orchid and the insect is the centre of the seal. The pods, botanical frieze and stepped niches connect the engraving with the visual memory of the Totonacapan.<\/p>

\"Engraving<\/a>
01 \u00b7 Encounter<\/strong> \u00b7 Original plate supplied as the reference for the Institute\u2019s seal. Open the original plate \u2197<\/a><\/figcaption><\/figure>
\"Encounter<\/a>

B01 \u00b7 02<\/p>

Encounter with the Volador<\/h3>

The smaller orchid retains its contact with the insect. The descending Volador balances the plate.<\/p><\/div><\/article>

\"Compact<\/a>

B01 \u00b7 03<\/p>

Compact seal<\/h3>

The standing dancer and the botanical encounter form a square mark without lettering.<\/p><\/div><\/article><\/div>

INAH\u2019s artistic reference on Teodoro Cano Garc\u00eda\u2019s mural in Papantla \u2197<\/a><\/p>\n<\/section>\n\n\n

These concept boards preserve explorations of flower and insect, moving vanilla, weave and architectural rhythm, alongside comparisons and header references.<\/p><\/div>\n

Todas las propuestas<\/h2>