{"id":98,"date":"2026-11-02T21:02:53","date_gmt":"2026-11-02T21:02:53","guid":{"rendered":"https:\/\/totonacapan.com\/wordpress\/?page_id=98"},"modified":"2026-11-05T09:52:41","modified_gmt":"2026-11-05T09:52:41","slug":"fr-patrimonio-vivo","status":"publish","type":"page","link":"https:\/\/totonacapan.com\/fr-patrimonio-vivo\/","title":{"rendered":"Patrimoine vivant"},"content":{"rendered":"<style id=\"iict-carmen-indices\">#main .page-index-wrap{clear:both;margin:1.25rem 0 2.5rem;padding:1.1rem 0;border-block:1px solid #b5a06f}#main .page-index-wrap>p{margin:0 0 .65rem;font-size:.75rem;letter-spacing:.12em;text-transform:uppercase;color:#254761}#main .page-index{display:flex;flex-wrap:wrap;gap:.5rem;margin:0;max-width:100%}#main .page-index a{display:block;max-width:100%;padding:.35rem .8rem;border:1px solid #254761;border-radius:999px;color:#254761;font-size:.875rem;line-height:1.45;text-align:start;text-decoration:none;overflow-wrap:anywhere}#main .page-index a:hover,#main .page-index a:focus-visible{background:#254761;color:#f9f3e8}#main .page-index a:focus-visible{outline:2px solid #826321;outline-offset:3px}#main h2[id]{scroll-margin-top:1.25rem}.breadcrumb[aria-label]{display:flex;flex-wrap:wrap;gap:.45em;align-items:baseline}.breadcrumb[aria-label] [aria-current]{font-weight:600}<\/style><aside class=\"page-index-wrap\"><p>Dans cette page<\/p><nav class=\"page-index\" aria-label=\"Dans cette page\"><a href=\"#iict-lectura-98-1\">Une maison de m\u00e9tiers, document\u00e9e<\/a><a href=\"#iict-lectura-98-2\">Le m\u00e9tier conserve une mani\u00e8re de regarder<\/a><a href=\"#iict-lectura-98-3\">Joaillerie et orf\u00e8vrerie<\/a><a href=\"#iict-lectura-98-4\">Horlogerie et r\u00e9paration de pr\u00e9cision<\/a><a href=\"#iict-lectura-98-5\">La relation ma\u00eetre\u2013apprenti<\/a><a href=\"#iict-lectura-98-6\">Arts et pratiques du territoire<\/a><a href=\"#photo-practices-title\">Nature, artisanat et vie quotidienne<\/a><a href=\"#documento-visual-voladores-titulo\">La c\u00e9r\u00e9monie des Voladores \u00e0 El Taj\u00edn<\/a><a href=\"#indumentaria-totonaca-teodoro-cano-titulo\">Deux ensembles de v\u00eatements totonaques<\/a><\/nav><\/aside>\n\n<style id=\"iict-alineacion-cuadernos-global\">body.wp-theme-totonacapan-instituto:has(#primary-nav) #main .editorial-dossier > header{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,46rem) minmax(0,1fr);column-gap:0;align-items:start;}\nbody.wp-theme-totonacapan-instituto:has(#primary-nav) #main .editorial-dossier > header>.eyebrow{grid-area:1\/1;margin:0 1.5rem 0 0;}\nbody.wp-theme-totonacapan-instituto:has(#primary-nav) #main .editorial-dossier > header>h2{grid-area:1\/2;width:auto;max-width:none;margin:0;text-align:start;hyphens:manual;}\n@media(max-width:1199px){body.wp-theme-totonacapan-instituto:has(#primary-nav) #main .editorial-dossier > header{display:block;box-sizing:border-box;width:100%;max-width:46rem;margin-inline:auto;}body.wp-theme-totonacapan-instituto:has(#primary-nav) #main .editorial-dossier > header>.eyebrow{margin:0 0 1rem;}}<\/style>\n\n\n<style id=\"iict-coleccion-visual\">#main [data-iict-plate]{--plate-ink:#183849;--plate-muted:#44555b;--plate-accent:#84612e;--plate-rule:#d9cfbb;--plate-stock:#fdfaf2;box-sizing:border-box;max-width:900px;margin:clamp(1.7rem,4vw,3.3rem) auto!important;padding:clamp(1.05rem,3vw,2.5rem);color:var(--plate-ink);background:linear-gradient(135deg,#fffdf7 0%,#f9f4e9 100%);border:1px solid var(--plate-rule);border-block-start:3px solid var(--plate-accent);border-radius:3px 22px 3px 3px;box-shadow:0 18px 36px -30px #182f43a3;overflow-wrap:anywhere}#main [data-iict-plate]::before{content:attr(data-iict-label);display:block;margin:0 0 .65rem;color:var(--plate-accent);font-size:.72rem;font-weight:700;line-height:1.4;letter-spacing:.14em;text-transform:uppercase}#main 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:is(td,th){hyphens:none;text-align:start}#main [data-iict-plate] figcaption{hyphens:none}<\/style>\n<style id=\"iict-acabado-editorial-2\">#main [data-iict-plate]{border-radius:0;box-shadow:0 13px 28px -27px #183849a1;padding:clamp(1.1rem,3.1vw,2.55rem);scroll-margin-top:1.5rem}#main [data-iict-plate]::before{display:flex;align-items:center;gap:.75rem;letter-spacing:.18em;font-size:.68rem}#main [data-iict-plate]::after{content:none}#main [data-iict-plate]>h2{margin-block-end:.65rem;font-size:clamp(1.65rem,3.35vw,2.65rem);font-weight:400}#main [data-iict-plate]>h2::after{width:3.15rem;background:linear-gradient(90deg,var(--plate-accent) 70%,transparent 70%,transparent 80%,var(--plate-accent) 80%)}#main [data-iict-plate] :is(h2,h3,dt,th){text-wrap:pretty}#main [data-iict-plate]>p:first-of-type{font-size:clamp(.98rem,1.32vw,1.07rem);line-height:1.58}#main [data-iict-plate] a:focus-visible,#main [data-iict-plate] summary:focus-visible{outline:2px solid #775526;outline-offset:3px}@media(max-width:540px){#main [data-iict-plate]{padding:1rem .9rem 1.05rem}#main [data-iict-plate]>h2{font-size:clamp(1.58rem,6vw,1.9rem)}#main [data-iict-plate]::before{letter-spacing:.13em}}#main [data-iict-plate=photo]{background:#f8f3e8;border-color:#d9cfb9;border-top:2px solid #6b7651}#main [data-iict-plate=photo] figure{border-radius:0;box-shadow:none}#main [data-iict-plate=photo] figure figcaption{background:#fcf9f0;border-block-start:1px solid #c9ba9d}#main [data-iict-plate=photo] figure figcaption strong{margin-bottom:.3rem;font-size:clamp(1.08rem,1.8vw,1.27rem)}#main [data-iict-plate=photo] .bandeja-visual-grid{gap:clamp(.65rem,2vw,1.4rem)}@media(min-width:850px){#main :is(#paisaje-manglar-tecolutla,#plaza-mexico-salsadella-foto,#instituto-fachada-historica)>figure{display:grid;grid-template-columns:minmax(0,3.2fr) minmax(10rem,1fr);align-items:stretch}#main :is(#paisaje-manglar-tecolutla,#plaza-mexico-salsadella-foto,#instituto-fachada-historica)>figure>a{display:flex;align-items:center;background:#ede5d2;min-width:0}#main :is(#paisaje-manglar-tecolutla,#plaza-mexico-salsadella-foto,#instituto-fachada-historica)>figure>figcaption{display:block;border-block-start:0;border-inline-start:1px solid #c9ba9d;padding:1.05rem .95rem;align-content:end}}<\/style>\n\n\n<style id=\"iict-ajuste-lectura\">html{scroll-behavior:auto}main section.bandeja-visual[id]{scroll-margin-top:clamp(16px,2vw,24px)}main section.bandeja-visual + section.bandeja-visual{margin-block-start:clamp(1rem,2.5vw,1.75rem)}<\/style>\n\n<section class=\"heritage-visuals\" id=\"fondo-visual-photographs\" data-iict-plate=\"photo\" data-iict-label=\"Planche documentaire\"><p class=\"eyebrow\">Fonds familial \u00b7 Photographies et documents<\/p><h2 id=\"iict-lectura-98-1\">Une maison de m\u00e9tiers, document\u00e9e<\/h2><p class=\"hv-lead\">La fa\u00e7ade historique et l\u2019int\u00e9rieur conservent deux \u00e9chelles d\u2019une m\u00eame histoire : la maison et les personnes, objets et documents qui assurent sa continuit\u00e9.<\/p><div class=\"hv-grid\"><figure class=\"hv-figure hv-facade\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/about_us__history.jpg\" target=\"_blank\" rel=\"noopener\"><img width=\"1024\" height=\"683\" src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/about_us__history.jpg\" class=\"attachment-large size-large\" alt=\"La Bola de Oro : fa\u00e7ade historique\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/about_us__history.jpg 1024w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/about_us__history-300x200.jpg 300w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/about_us__history-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><strong>La Bola de Oro : fa\u00e7ade historique<\/strong><span>Photographie conserv\u00e9e sur l\u2019ancien site et dans sa m\u00e9diath\u00e8que. Date de prise de vue et photographe non renseign\u00e9s. Fonds La Bola de Oro.<\/span><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/about_us__history.jpg\" target=\"_blank\" rel=\"noopener\">Voir l\u2019image int\u00e9grale \u2197<\/a><\/figcaption><\/figure><figure class=\"hv-figure hv-interior\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522.jpg\" target=\"_blank\" rel=\"noopener\"><img width=\"576\" height=\"1024\" src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-576x1024.jpg\" class=\"attachment-large size-large\" alt=\"\u00c0 l\u2019int\u00e9rieur de La Bola de Oro : consultation des archives\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-576x1024.jpg 576w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-169x300.jpg 169w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-768x1366.jpg 768w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-864x1536.jpg 864w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-1152x2048.jpg 1152w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522-scaled.jpg 1439w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><figcaption><strong>\u00c0 l\u2019int\u00e9rieur de La Bola de Oro : consultation des archives<\/strong><span>Papantla, photographie du 4 octobre 2025. Vitrines de bijoux et de montres, documents et m\u00e9moire de la maison r\u00e9unis dans un m\u00eame espace. Fonds familial La Bola de Oro ; photographe non renseign\u00e9.<\/span><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/IMG_20251004_201522.jpg\" target=\"_blank\" rel=\"noopener\">Voir l\u2019image int\u00e9grale \u2197<\/a><\/figcaption><\/figure><\/div><p><a class=\"text-link\" href=\"https:\/\/totonacapan.com\/?page_id=99\">D\u00e9couvrir La Bola de Oro \u2192<\/a><\/p><\/section><section class=\"editorial-dossier\" id=\"cuaderno-patrimonio-vivo\"><header><p class=\"eyebrow\">Cahiers des pratiques \u00b7 Institut Totonacapan<\/p><h2 id=\"iict-lectura-98-2\">Le m\u00e9tier conserve une mani\u00e8re de regarder<\/h2><\/header><div class=\"editorial-reading\"><p>Le patrimoine vivant r\u00e9unit des capacit\u00e9s qui s\u2019exercent : reconna\u00eetre une mati\u00e8re, r\u00e9gler un outil, \u00e9couter un m\u00e9canisme, pr\u00e9parer un aliment, accompagner une c\u00e9r\u00e9monie ou former une autre personne. Leur continuit\u00e9 d\u00e9pend d\u2019occasions, de mat\u00e9riaux et de relations permettant de les pratiquer \u00e0 nouveau.<\/p><h3>Trois continuit\u00e9s \u00e0 observer ensemble<\/h3><ul><li><strong>Mat\u00e9rielle :<\/strong> objets, outils, mati\u00e8res premi\u00e8res, lieux et documents qui rendent le travail possible et permettent de comprendre ce qui a \u00e9t\u00e9 r\u00e9alis\u00e9.<\/li><li><strong>Technique :<\/strong> s\u00e9quences, gestes, diagnostic, correction et jugement sur la qualit\u00e9 du travail accompli.<\/li><li><strong>Sociale :<\/strong> confiance entre la personne qui commande et celle qui r\u00e9alise, liens entre g\u00e9n\u00e9rations, reconnaissance et conditions permettant au m\u00e9tier de perdurer.<\/li><\/ul><p>Une collection peut conserver une pi\u00e8ce tout en perdant la capacit\u00e9 de la r\u00e9parer. Un manuel peut d\u00e9crire une s\u00e9quence sans transmettre la sensation de la mati\u00e8re. Une d\u00e9monstration peut montrer un geste sans r\u00e9v\u00e9ler les d\u00e9cisions qui le rendent pertinent. L\u2019Institut \u00e9tudie ces relations comme les composantes d\u2019une m\u00eame pratique.<\/p><h3>Une communaut\u00e9 de m\u00e9tiers<\/h3><p>L\u2019inventaire propos\u00e9 couvre l\u2019orf\u00e8vrerie et la joaillerie, l\u2019horlogerie et la r\u00e9paration, la taille du bois, l\u2019argile, les fibres, les textiles et la broderie. Il inclut aussi les instruments, la cuisine quotidienne et c\u00e9r\u00e9monielle, la culture et la transformation de la vanille, la formation, la conservation et la cr\u00e9ation contemporaine. La personne qui produit des mat\u00e9riaux ou entretient des outils peut \u00eatre essentielle \u00e0 la survie d\u2019un autre m\u00e9tier.<\/p><p>La transmission entre ma\u00eetre et apprenti permet d\u2019observer, d\u2019essayer et de recevoir des corrections. Sa valeur appara\u00eet dans la diff\u00e9rence entre conna\u00eetre une explication et savoir agir avec discernement. La documenter exige aussi de recueillir questions, variantes et erreurs, ainsi que les voix de celles et ceux qui enseignent et apprennent.<\/p><div class=\"editorial-links\"><a href=\"https:\/\/totonacapan.com\/?page_id=99\">Un cas : joaillerie et horlogerie \u00e0 La Bola de Oro \u2192<\/a><a href=\"https:\/\/totonacapan.com\/?page_id=101\">Comment d\u00e9crire une pratique \u2192<\/a><\/div><\/div><\/section><div class=\"prose\"><p class=\"lead\">Pr\u00e9server un objet importe. Pr\u00e9server la capacit\u00e9 de le fabriquer, de le comprendre et de le r\u00e9parer importe tout autant.<\/p><p>Le patrimoine vivant se manifeste dans des pratiques qui n\u00e9cessitent des personnes, des mat\u00e9riaux, des outils, du temps et des relations d\u2019apprentissage. L\u2019Institut accorde une attention particuli\u00e8re aux m\u00e9tiers et aux communaut\u00e9s de pratique qui les font vivre.<\/p><h2 id=\"iict-lectura-98-3\">Joaillerie et orf\u00e8vrerie<\/h2><p>Un bijou peut r\u00e9unir habilet\u00e9 manuelle, connaissance des mat\u00e9riaux, choix de conception et significations propres \u00e0 une famille ou \u00e0 un contexte culturel. La documentation de La Bola de Oro permet d\u2019observer ce lien entre production, r\u00e9paration et m\u00e9moire. Chaque pi\u00e8ce doit \u00eatre \u00e9tudi\u00e9e avec sa provenance ; tous les motifs ne peuvent \u00eatre attribu\u00e9s automatiquement \u00e0 une m\u00eame tradition.<\/p><h2 id=\"iict-lectura-98-4\">Horlogerie et r\u00e9paration de pr\u00e9cision<\/h2><p>R\u00e9parer exige de diagnostiquer, de distinguer usure et panne, de choisir une intervention et d\u2019en v\u00e9rifier le r\u00e9sultat. Le savoir de l\u2019atelier comprend outils et pi\u00e8ces de rechange, mais aussi discernement, patience et confiance. Dans la lign\u00e9e historique de La Bola de Oro, l\u2019horlogerie s\u2019int\u00e8gre \u00e0 d\u2019autres services et m\u00e9tiers de pr\u00e9cision.<\/p><\/div><ol class=\"steps\"><li><b>01<\/b><h3>Observer<\/h3><p>Reconna\u00eetre l\u2019objet, le mat\u00e9riau et leur contexte.<\/p><\/li><li><b>02<\/b><h3>Pratiquer<\/h3><p>Apprendre le geste avec accompagnement et temps.<\/p><\/li><li><b>03<\/b><h3>Comprendre<\/h3><p>D\u00e9velopper le discernement n\u00e9cessaire pour d\u00e9cider et v\u00e9rifier.<\/p><\/li><li><b>04<\/b><h3>Transmettre<\/h3><p>Pr\u00e9parer une autre personne \u00e0 poursuivre la pratique.<\/p><\/li><\/ol><p class=\"diagram-caption\">Sch\u00e9ma explicatif de la transmission d\u2019un m\u00e9tier ; il ne repr\u00e9sente pas les r\u00e9sultats d\u2019une \u00e9tude.<\/p><div class=\"prose\"><h2 id=\"iict-lectura-98-5\">La relation ma\u00eetre\u2013apprenti<\/h2><p>La transmission ne se r\u00e9duit pas \u00e0 enregistrer des instructions. Elle comprend la correction partag\u00e9e, la reconnaissance des erreurs et l\u2019apprentissage de ce qu\u2019il convient de faire dans chaque situation. L\u2019archive conserve des r\u00e9f\u00e9rences ; la pratique accompagn\u00e9e maintient des capacit\u00e9s qu\u2019une photographie ou un texte ne remplacent pas.<\/p><h2 id=\"iict-lectura-98-6\">Arts et pratiques du territoire<\/h2><p>Le Recensement des arts et m\u00e9tiers propose un cadre large : culture mat\u00e9rielle, pratiques rituelles, savoirs culinaires, cr\u00e9ation contemporaine et m\u00e9tiers qui rendent possible la continuit\u00e9 culturelle. Cette initiative est en pr\u00e9paration et ouverte \u00e0 la r\u00e9vision avec les personnes qui connaissent et pratiquent ces savoirs.<\/p><p>Le Centre des arts autochtones constitue une r\u00e9f\u00e9rence externe pour \u00e9tudier l\u2019enseignement et la transmission dans le contexte totonaque. Sa mention n\u2019implique ni partenariat ni activit\u00e9 commune avec l\u2019Institut.<\/p><div class=\"actions\"><a class=\"button\" href=\"https:\/\/totonacapan.com\/?page_id=99\">La Bola de Oro \u2192<\/a><a class=\"text-link\" href=\"https:\/\/totonacapan.com\/?page_id=101\">Recensement des arts et m\u00e9tiers \u2192<\/a><\/div><\/div>\n<section class=\"photo-practices\" aria-labelledby=\"photo-practices-title\"><h2 id=\"photo-practices-title\">Naturaleza, artesan\u00eda y vida cotidiana<\/h2><p class=\"photo-lead\">Un territorio tambi\u00e9n se conoce a trav\u00e9s de sus plantas, sus materiales y los oficios de cada d\u00eda.<\/p><div class=\"photo-practices-grid\"><figure class=\"photo-record photo-wood\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102.jpg\" target=\"_blank\" rel=\"noopener\"><img width=\"1024\" height=\"685\" src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102-1024x685.jpg\" class=\"attachment-large size-large\" alt=\"Talla en madera con motivos de vainilla, iglesia de la Asunci\u00f3n, Papantla\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102-1024x685.jpg 1024w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102-300x201.jpg 300w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102-768x514.jpg 768w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102-1536x1028.jpg 1536w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-wood-20261102.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><strong>Talla en madera con motivos de vainilla, iglesia de la Asunci\u00f3n, Papantla<\/strong><span>Fotograf\u00eda \u00b7 AlejandroLinaresGarcia \u00b7 2010 \u00b7 <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY-SA 4.0<\/a><\/span><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:WoodVanillaPapantla.JPG\" target=\"_blank\" rel=\"noopener\">Fuente y original \u2197<\/a><small>Versi\u00f3n reducida proporcionalmente para la web.<\/small><\/figcaption><\/figure><figure class=\"photo-record photo-bread\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102.jpg\" target=\"_blank\" rel=\"noopener\"><img width=\"1024\" height=\"685\" src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102-1024x685.jpg\" class=\"attachment-large size-large\" alt=\"Panes a la venta en una calle de Papantla\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102-1024x685.jpg 1024w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102-300x201.jpg 300w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102-768x514.jpg 768w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102-1536x1028.jpg 1536w, https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-papantla-bread-20261102.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><strong>Panes a la venta en una calle de Papantla<\/strong><span>Fotograf\u00eda \u00b7 AlejandroLinaresGarcia \u00b7 2010 \u00b7 <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY-SA 4.0<\/a><\/span><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:SweetBreadsPapantla2.JPG\" target=\"_blank\" rel=\"noopener\">Fuente y original \u2197<\/a><small>Versi\u00f3n reducida proporcionalmente para la web.<\/small><\/figcaption><\/figure><figure class=\"photo-record photo-flower\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-vainilla.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-vainilla.jpg\" alt=\"Flor de Vanilla planifolia, fotograf\u00eda bot\u00e1nica de referencia tomada en Florida\" width=\"1920\" height=\"1280\" loading=\"lazy\"><\/a><figcaption><strong>Naturaleza y conocimiento<\/strong><span>Vanilla planifolia \u00b7 Malcolm Manners, 2012. Referencia bot\u00e1nica fotografiada en Florida; no es una imagen de Xanath ni de Papantla.<\/span><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Vanilla_planifolia_(6998639597).jpg\" target=\"_blank\" rel=\"noopener\">Fuente y original \u2197<\/a> \u00b7 <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0<\/a><\/figcaption><\/figure><\/div><\/section>\n\n\n\n<section id=\"documento-visual-voladores\" class=\"bandeja-visual prose\" aria-labelledby=\"documento-visual-voladores-titulo\" data-iict-plate=\"photo\" data-iict-label=\"Planche documentaire\"><h2 id=\"documento-visual-voladores-titulo\">La c\u00e9r\u00e9monie des Voladores \u00e0 El Taj\u00edn<\/h2><p>La photographie montre le rapport entre les participants, le m\u00e2t et l\u2019espace de la c\u00e9r\u00e9monie. La fiche de l\u2019UNESCO apporte des pr\u00e9cisions sur la pratique et sa transmission.<\/p><figure><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-voladores-el-tajin-fabiola-saenz-2017.jpg\"><img src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-voladores-el-tajin-fabiola-saenz-2017.jpg\" alt=\"Voladores de Papantla pr\u00e8s du m\u00e2t de la c\u00e9r\u00e9monie \u00e0 El Taj\u00edn\" loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"853\"><\/a><figcaption><strong>Voladores de Papantla \u00e0 El Taj\u00edn<\/strong><br>Fabiola Marina S\u00e1enz C\u00f3zar, 27 juillet 2017 \u00b7 <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Voladores_de_Papantla_en_el_Taj%C3%ADn.jpg\">Photographie originale<\/a> \u00b7 <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA 4.0<\/a> \u00b7 Image redimensionn\u00e9e<\/figcaption><\/figure><p><a href=\"https:\/\/ich.unesco.org\/en\/RL\/ritual-ceremony-of-the-voladores-00175\">Consulter la fiche de l\u2019UNESCO \u2197<\/a><\/p><\/section>\n\n\n\n<section id=\"indumentaria-totonaca-teodoro-cano\" class=\"bandeja-visual prose\" aria-labelledby=\"indumentaria-totonaca-teodoro-cano-titulo\" data-iict-plate=\"photo\" data-iict-label=\"Planche documentaire\"><h2 id=\"indumentaria-totonaca-teodoro-cano-titulo\">Deux ensembles de v\u00eatements totonaques<\/h2><p>Les photographies prises au mus\u00e9e Teodoro Cano de Papantla permettent d\u2019observer les broderies et les accessoires de deux ensembles de v\u00eatements.<\/p><div class=\"bandeja-visual-grid\"><figure data-iict-visual=\"2\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-textil-totonaco-sierra-museo-teodoro-cano.jpg\"><img src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-textil-totonaco-sierra-museo-teodoro-cano.jpg\" width=\"960\" height=\"1325\" alt=\"V\u00eatement blanc avec broderie florale, dentelle et colliers expos\u00e9s\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption><strong>Tenue f\u00e9minine totonaque de la sierra<\/strong><br>AlejandroLinaresGarcia, 31 janvier 2010 \u00b7 <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:TotonacMtnWomansWear.JPG\">Notice de la source<\/a> \u00b7 <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA 4.0<\/a> \u00b7 Photographie redimensionn\u00e9e<\/figcaption><\/figure><figure data-iict-visual=\"2\"><a href=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-textil-totonaco-museo-teodoro-cano.jpg\"><img src=\"https:\/\/totonacapan.com\/wordpress\/wp-content\/uploads\/2026\/11\/iict-textil-totonaco-museo-teodoro-cano.jpg\" width=\"960\" height=\"1434\" alt=\"Tenue blanche avec chapeau, foulard vert et sac tiss\u00e9\" loading=\"lazy\" decoding=\"async\"><\/a><figcaption><strong>Tenue masculine totonaque<\/strong><br>AlejandroLinaresGarcia, 31 janvier 2010 \u00b7 <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:TotonacMensWear.JPG\">Notice de la source<\/a> \u00b7 <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA 4.0<\/a> \u00b7 Photographie redimensionn\u00e9e<\/figcaption><\/figure><\/div><\/section>\n\n<script id=\"iict-carmen-miga\">(()=>{const apply=()=>{const a=document.querySelector(\"header.page-heading a.breadcrumb,header.page-header a.breadcrumb,.page-hero a.breadcrumb,a.breadcrumb\");const h=document.querySelector(\"h1\");if(!a||!h||a.parentElement.matches(\"nav[aria-label]\"))return;const lang=(document.documentElement.lang||\"es\").slice(0,2);const n=document.createElement(\"nav\");n.className=\"breadcrumb\";n.setAttribute(\"aria-label\",({es:\"Ruta de navegaci\u00f3n\",en:\"Breadcrumb\",fr:\"Fil d\u2019Ariane\"})[lang]||\"Ruta de navegaci\u00f3n\");const 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